Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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LOO, Carle van
Halt in the Hunt (mk05)

ID: 20663

LOO, Carle van Halt in the Hunt (mk05)
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LOO, Carle van Halt in the Hunt (mk05)


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LOO, Carle van

French painter (b. 1705, Nice, d. 1765, Paris).   Related Paintings of LOO, Carle van :. | The Arts in Supplication | Halt in the Hunt (mk05) | Halt During the Hunt | Portrait of Diderot | Une Sultane Prenant le cafe que lui presente une negresse (mk32) |
Related Artists:
COUSIN, Jean the Elder
French High Renaissance Painter, ca.1495-1560
Rene Herisson
Rene Herisson (ne a Cognac (Charente) le 24 mai 1857 - decede le 4 janvier 1940) est un poete et peintre animalier francais
PULIGO, Domenico
Italian Painter, 1492-1527 He trained in Florence with Ridolfo Ghirlandaio and in the workshops of Antonio del Ceraiuolo ( fl 1st half 16th century) and Andrea del Sarto. What may be his earliest surviving work, the Virgin and Child with St John (c. 1513; Rome, Pal. Venezia), reflects the style of Ghirlandaio. Other early paintings, however, such as the Holy Family (Florence, Gal. Corsini), show the influence of Fra Bartolommeo and Andrea del Sarto and are little affected by Ghirlandaio. The Virgin and Child with the Infant St John (c. 1522; Florence, Pitti) clearly reflects the examples of Fra Bartolommeo and Raphael, with the figures in the manner of Andrea del Sarto. The figure of the Christ Child may derive from Raphael's Madonna of the Pinks (c. 1507-8; Alnwick Castle, Northumb., on loan to London, N.G.). Over a dozen drawings have been attributed to Puligo, but none relates to his extant work or resembles his style of painting. Vasari described him as a particularly lazy artist, which may account for this scarcity of drawings and for the frequency of borrowed motifs and repeated compositions in his smaller religious paintings. Such borrowing often resulted in a lack of harmony in his compositions, as in the Pitti Virgin and Child. The influence of the more sculptural forms of Andrea del Sarto's work of the 1520s can be seen in the Mary Magdalene (c. 1525; Ottawa, N.G.).






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